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The Knesset Building in Giv’at Ram - Planning and Construction
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The Knesset Building: Additions
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The ceramic wall by Chava Kaufman. Photographer: Eliezer Segal
One of the Weil gates. Photographer: Eliezer Segal


Additional Comments Regarding the Planning of the Knesset Building

With regards to the planning of the Committee rooms, Gillitt added further insights to what Ze`ev Rabina had said regarding the direction of the windows.21 Gillitt said that the external windows of the Committee rooms were constructed at an angle primarily because the Southern wall, which faced the Jordanian armed position, was planned as a security wall, and it was considered dangerous to have the windows facing directly to the South. In photographs of the plan for the Committee floor provided by Gillitt, one can see clearly that the rooms are shaped like potatoes, as described by Rabina. (See photograph)

The architectural plan for the Committee floor, 1962



Gillitt pointed out that he had planned the Knesset library, with the depression in the center known as “the pool”, under the inspiration of the library constructed by the Finnish architect Alvar Alto in the Finnish town of Viipuri in the years 1927-1935.22 There are several other architectural elements in the Knesset building that are reminiscent of Alto’s work (see photographs).

The “pool” of the library reading hall, whose design was influenced by Alvar Alto’s library in Viipuri (inset)

As to the foreground in front of the building, in Karmi and Gillitt’s plan from 1960 no fence was planned in front, and the descent from the foreground was to have been by means of a ramp, leading towards a parking lot, or a bridge above the entrance road. According to Ruegg, in 1964 Klarwein presented a plan for the foreground (in his words the “square”) which seemed to him like a “Mussolini show. When he came with this plan for the square I said to him: ‘Mr. Klarwein, forgive me, but this is Fascist architecture’… He was very insulted”. Finally the plan for the foreground was softened, and lawns were added to it.

The Construction Work

The work manager at the Knesset site, the engineer Eliezer Segal, added many details regarding the construction process itself. In the beginning of the 1960s, he related, there were still no cement factories in the country, and the technology of cement pumps didn’t exist. Therefore, a small plant for the manufacture of cement was established on the Northern side of the site, on a small hill. Mrs. Tsidon-Friedland, director of the Construction Materials Department in the Technion was in charge of the quality of the cement, and a special technician, who slept on the site, was sent to supervise the production.

The Knesset building site. The cement factory is on the left.

In order to facilitate the construction work, two vast cranes - the largest available in Israel at the time - were brought to the site, and these moved on broad rails: one on the higher Northern side of the structure, and the other from the middle of the Western side, through the Southern side, and up to the middle of the Eastern side. (See photograph) Until the completion of the first floor - the Committee floor - the lower, Southern rail entered into the center of the structure. Inter alia the cranes were used to fill the large hollows on the Committee floor, and part of the second floor - the Government floor - with gravel and soil. Over the filled hollows, a floor made of fortified concrete was cast.

Segal’s view of Klarwein is different from that of Gillitt and Ruegg. He noted that Klarwein was a very decent man, and a talented architect. He felt sorry for him because “I saw how he was being ‘raped’. He was forced to do things that he didn’t like”.

Dora Gad’s Interior Design

From slides taken by Segal soon after the construction work was completed, one can view the space of the Chagall hall before the tapestries were hung in them, and the space of the general cafeteria after the ceramic wall created by the artist Chava Kaufman, but before the tables and chairs were brought in.23

The style of the furniture introduced by Gad into the building may be seen in the photographs taken by Segal in the Speaker’s bureau, and in the closed section of the Members’ dining room. The furniture in the Speaker’s bureau has been changed in the meantime several times, as has the furniture in the cafeteria (See photographs).

Meeting corner in the Knesset Speaker’s bureau, designed by Dora Gad. Photographer: Eliezer Segal   The inner dining room for MKs, designed by Dora Gad. Photographer: Eliezer Segal


21 See the original article.
22 The Soviet Union conquered the Finnish town during the Second World War. Today it is in the Carelia province in Russia, and is known by the name of Vyborg.
23 See the original article, p. 160.

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